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Cake day: March 6th, 2025

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  • Semisimian@startrek.websitetoRisa@startrek.websiteNo contest
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    1 month ago

    In Star Trek, their run-of-the-mill, rarely discussed deflector is doing way more work than anything in the Star Wars universe. The one exception is the world-ender planet lasers which have been a big plot point in too many films and STILL have no plausible means to exist IN THEIR OwN UNIVERSE!








  • Thank you, that was an interesting breakdown. I really appreciate his methodology. I’m going to deep dive into anything he has posted. Though he doesn’t come to the same conclusion I do, the takeaway is:

    1. Yes, there is noticeable sound loss when converting a 24 bit sample to 16 bit.

    2. You can really screw with a 24 bit sample and still have a listenable file, presumably because of the bit depth.

    3. Recording and mastering in 24 bit benefits classical music reproduction, and I would argue, any acoustic music reproduction. So, anything with a vocal, drum kit, acoustic guitar, etc.

    Since the video is about dither specifically, he does conclude that mastering to 16 bit gives the technician a sturdier product when played back on the myriad of modern equipment we have. It’s arguable, sure, but since this an audiophile sub…

    Really though, thanks for posting the video. Deep dive in 3, 2…






  • This episode answers a very important question for me: how the heck can some alien being sneak onto a Starfleet ship? The answer: abject incompetence.

    NX-01 aside, we see that by the time of the Enterprise, there are cameras everywhere! And, they are set to start recording on all channels during a Red alert. I always wondered with episodes all the way back to TOS The Man Trap, how could someone not have some sort of sensor or visual record of what happened on the ship? Vash can seemingly go anywhere she wants to pilfer relics. The Kazon can waltz around Voyager without security being hip to their game.

    I feel like the video is there, just no one is watching.