

Wordle 1,667 3/6
🟨⬛⬛⬛⬛ 🟨⬛🟨⬛⬛ 🟩🟩🟩🟩🟩


Wordle 1,667 3/6
🟨⬛⬛⬛⬛ 🟨⬛🟨⬛⬛ 🟩🟩🟩🟩🟩
In Star Trek, their run-of-the-mill, rarely discussed deflector is doing way more work than anything in the Star Wars universe. The one exception is the world-ender planet lasers which have been a big plot point in too many films and STILL have no plausible means to exist IN THEIR OwN UNIVERSE!


I hope they licensed this footage appropriately and paid the voice actors scale, but I’d bet good money they didn’t.


The commercial: https://youtu.be/uMwFWDIFVCU
The spoof: https://youtu.be/fhfcWTZeP1k
10 years ago! Geez.
Rage bait, maybe. But I chuckled, and that is good enough for me.


Earl Grey Sausage. Hot. 😉


And Danny Carey as “Danny,” I might have to check this out.


Thank you, that was an interesting breakdown. I really appreciate his methodology. I’m going to deep dive into anything he has posted. Though he doesn’t come to the same conclusion I do, the takeaway is:
Yes, there is noticeable sound loss when converting a 24 bit sample to 16 bit.
You can really screw with a 24 bit sample and still have a listenable file, presumably because of the bit depth.
Recording and mastering in 24 bit benefits classical music reproduction, and I would argue, any acoustic music reproduction. So, anything with a vocal, drum kit, acoustic guitar, etc.
Since the video is about dither specifically, he does conclude that mastering to 16 bit gives the technician a sturdier product when played back on the myriad of modern equipment we have. It’s arguable, sure, but since this an audiophile sub…
Really though, thanks for posting the video. Deep dive in 3, 2…


That’s why I didn’t mention the sample rate. You aren’t going to get really anything back increasing to 96 khz. But I promise you increasing the bit depth leads to a noticeable change in the perception of the recording. You’re not going to get anything from modern pop since it’s compressed to hell and back, but find a good recording of an album you’ve listened to a lot and find some decent, wired headphones and try an A/B of a 16 and 24 bit mix. You’ll see what I mean.


"considering that 16-bit, 48kHz exceeds the threshold of human hearing even for “golden ears,”
Um, no it doesn’t. 16-Bit dynamic range is 96 decibels, 24-bit is 144 decibels. 96 cuts off quite a bit of an average person’s hearing range. A/B a 16 and 24 bit recording and you can hear it easily over even modest headphones.


Phone manufacturers know where you touch your screen the most often and put their shittiest apps in that spot so you accidentally engage. It’s the only reason I open up Google’s AI, because I did it by accident.


Especially from a tech critic.


This episode answers a very important question for me: how the heck can some alien being sneak onto a Starfleet ship? The answer: abject incompetence.
NX-01 aside, we see that by the time of the Enterprise, there are cameras everywhere! And, they are set to start recording on all channels during a Red alert. I always wondered with episodes all the way back to TOS The Man Trap, how could someone not have some sort of sensor or visual record of what happened on the ship? Vash can seemingly go anywhere she wants to pilfer relics. The Kazon can waltz around Voyager without security being hip to their game.
I feel like the video is there, just no one is watching.


We have a lot of sprawl here and the reasons are many. Just like Dallas and LA, we have a ton of road infrastructure and zoning laws that eat up a lot of land. We also don’t have any natural barriers, like an ocean or a mountain range, to limit our expansion. Just to keep building and add another lane. Thanks for asking.


Marchetti intended the constant to be 1 hour round trip, so a half-hour commute one-way. It’s an important distinction, since here in Atlanta the exurban commuter is clocking in at 1.5 hours or more into the city, well outside of what is considered tolerable. Multiply that by a million and you get some irritated people.


I have two theories. Section 31 was terrible at recruiting covert ops and we’ve seen their blundering over and over again on the small screen. Or, they were very good at covert ops and we’ve only seen the few times they misjudged the morality of their operatives.
I’m a carpenter. If I do my job well, you won’t know I was there at all.


I’ll hang on to 10 as long as they’ll let me, but I am never going to 11. Then it’ll be a distro for dis bro.
Sorry.
Don’t worry, even the cast forgot this was a plot point.